Olana hosts annual exhibitions from spring to fall in the Evelyn and Maurice Sharp Gallery on the second floor of the main house and in the Coachman’s House Gallery. Olana is open all year round for house tours and self guided landscape tours. There are several events for visitors and families throughout the year.
Evelyn and Maurice Sharp Gallery
May 1-November 1, 2015
Erastus Dow Palmer (1817–1904), Imogen, 1874, Cast bronze by F. Barbédienne, founder, Paris, France, OL.1981.642, Collection Olana State Historic Site, NYSOPRHP
Thomas Cole (1801–1848), View of the Protestant Burying Ground, Rome, c. 1833–34, oil on canvas, OL.1981.17, Collection Olana State Historic Site, NYSOPRHP
Frederic Edwin Church (1826–1900), Cayambe, 1853, oil on paper mounted on canvas, OL.1981.22, Collection Olana State Historic Site, NYSOPRHP
This season the Sharp Family Gallery features a range of the artwork and objects transferred from the first floor of the main house to accommodate the installation of Olana’s 2015 exhibition River Crossings: Contemporary Art Comes Home, guest curated by Stephen Hannock and Jason Rosenfeld. These highlights from collections deinstalled for River Crossings will be on display in the Sharp Gallery from May 3 –November 1, 2015.
The gallery provides visitors with the opportunity to examine closely a selection of paintings, sketches, and decorative arts that may otherwise be somewhat obscured within the historic interiors. Church’s sketch Cayambe from his first trip to Ecuador in 1853 was recently cleaned in the Paintings Lab and then reframed by Eli Wilner & Company. Freshly conserved, the blue highlights in the snow gleam under the heavy cloud. At 18,996 feet Cayambe and the “grand snow peaks” as Church called them, were often shrouded by weather of their own. Church’s ability to render weather and light is also demonstrated in The Hudson Valley in Winter from Olana, a brilliant winter day with lofty white clouds, and Twilight, A Sketch, a vibrant sunset study for Church’s masterpiece Twilight in the Wilderness (Cleveland Museum of Art).
Church was an avid collector and the array of decorative arts he placed in the Court Hall is almost overwhelming; a few of the most interesting objects are displayed in the Sharp Gallery. One of a set of eight chairs with a carved back inspired by Chinese design is a perfect example of Aesthetic Movement furniture. Imogen, a sculpture by Church’s great friend Erastus Dow Palmer (1817–1904), is one of many works by Church’s fellow artists in the house. A Spanish maiolica plate with luster decoration normally brings sparkle to the darker areas of the Court Hall, and the tabouret table would have provided both shimmer and geometric pattern.
The Olana Partnership and New York State Office of Parks, Recreation and Historic Preservation work in strong collaboration to preserve and conserve the Olana collection at the highest museum-level standards. Many of the collections on display have been cleaned and preserved with the support of The Olana Partnership, and other works removed for River Crossings are currently in the New York State Conservation Labs for research and conservation.
Thomas Cole National Historic Site and Olana State Historic Site
May 3-November 1, 2015
May 3-November 1, 2015
We are excited to announce our 2015 exhibition, River Crossings: Contemporary Art Comes Home, presented in partnership with the Thomas Cole National Historic Site, featuring contemporary art installed directly into the historic spaces and landscapes of the two historic sites. The exhibition is curated by the artist Stephen Hannock and the art historian Jason Rosenfeld, PhD. Artists in the exhibition include Chuck Close, Gregory Crewdson, Lynn Davis, Don Gummer, Jerry Gretzinger, Valerie Hegarty, Angie Keefer, Stephen Hannock, Charles LeDray, Maya Lin, Elizabeth Murray, Thomas Nozkowski, Martin Puryear, Cindy Sherman, Sienna Shields, Kiki Smith, Joel Sternfeld, and Elyn Zimmerman. Opening May 2015.
Click here to read the River Crossings press release.
Click here to visit the River Crossings website.
This exhibition is organized by The Thomas Cole National Historic Site, The Olana Partnership and the New York State Office of Parks, Recreation and Historic Preservation.
Major funding for River Crossings was provided by The Moore Charitable Foundation, the New York State Council on the Arts, New York State’s Empire State Development and the I (HEART) NY Division of Tourism under Governor Andrew Cuomo’s Regional Economic Development Council Initiative, Tiger and Caroline Williams, Ed Herrington, Inc., The Bay & Paul Foundations with Chairman David Bury, the Hudson River Valley National Heritage Area, the Columbia County Tourism Department, Jennifer Krieger, and Chas Miller. The companion book and related public programs were funded by a grant from the National Endowment for the Arts.
The Trustees and staff of The Olana Partnership wish to recognize the support of Governor Andrew Cuomo; New York State Office of Parks, Recreation and Historic Preservation Commissioner Rose Harvey; Deputy Commissioner for Historic Preservation Ruth Pierpont; Regional Director, Taconic Region Linda Cooper; former Director of the Bureau of Historic Sites John Lovell; Acting Director of the Bureau of Historic Sites Mark Peckham; and Olana Site Manager Kimberly Flook.
With additional support provided by public funds from the Museum Program of the New York State Council on the Arts, a State agency.
Coachman’s House Gallery
June 6- August 29; Every Saturday and Sunday, 1-4pm only
September 1-November 2; Daily Tuesday- Sunday, 10-5pm
The Coachman’s House Gallery has been transformed into an experimental work space for Bard College students who have been selected to experiment with “research-based” art-making practices at Olana. Visit the Gallery to focus your attention on the act of making art, and on how history can inform contemporary art-making. These students will be available for questions and conversations throughout the summer weekends, and visitors can watch their art work develop over time and see the final works in the Fall.
This exhibition is organized by The Olana Partnership, the New York State Office of Parks, Recreation and Historic Preservation and Bard College.