What does that title mean? If you are unsure, like me, then here is an insider view of how I learned more about Frederic Church’s 1866 moon sketches, paintings, old moons, and Crepuscular Rays with the help of my colleagues and the general public! Read More
When I joined as the new director, I had no questions about the artistry of Olana, but my major interests were focused on the less obvious aspects and objects of the site. Trained as a Mesoamerican archaeologist, it was the Aztec and Toltec figures in the studio, Frederic Church’s paintbrushes and palettes, and the ruins of the 18th century farmhouse that called to me rather than the Persian inspired home and its fantastic studies and paintings of American beauty. Read More